![]() A Client Sustains An Injury During A Photoshootĭuring a photography session, part of your job may include directing your clients to pose a certain way. With photography insurance, you can have peace of mind knowing that your insurance may help cover the cost of replacing your gear or fixing the damage.Ģ. You might have already encountered a similar camera equipment mishap in the past and understand how expensive replacing equipment can be out of your pocket. As you are making the switch, your camera lens slips from your fingers and cracks on the sharp seaside rocks. Towards the end of the session, the sunset lighting is nearly perfect, and you decide to quickly change your camera lens. However, you never know what the next photography session will have in hold for your expensive equipment.įor example, your next photography job takes you to the beach, and you are there to shoot a bridal session for your new clients. One day you could be in a studio and the next day you could be capturing precious moments at a beach wedding. The exciting thing about working as a photographer is that your workspace is constantly changing. Learn about three risks every photographer faces on the job and how photography insurance can work for you. Whether you take on short-term events or you are jet setting across the country for several photo shoots, photography insurance is essential for your business. While you have a say on the camera equipment being used, props, and lighting, there are some things that are completely out of your control. HDR-HLG, Rec709, S Cinetone, Sony S-Log 3, StandardĢ x XLR 3-Pin Mic/Line (+48 V Phantom Power) Input on Included Handleġ x 1/8" / 3.5 mm TRS Stereo Microphone OutputĦ.02 x 4.57 x 4.49" / 15.29 x 11.61 x 11.Topic: Protecting your business, InsuranceĪs a photographer, you have the creative freedom to capture precious moments for your clients and meet new people along the way. In addition to improving the camera's overall stability, firmware update v1.10 adds 100p and 120p options to the Slow and Quick Motion frame rate menu when the codec is set to RAW or RAW and XAVC-I. These include fast and accurate phase-detection autofocus with both Face Detection and real-time Eye autofocus, both auto and manual ND filter settings for quick exposure compensation, and a 3.5" LCD monitor that boasts timesaving touchscreen access to key menu settings and versatile positioning for comfortable operating. While the FX6 fits seamlessly into a pro-cine on-set workflow, it also offers several features that are a boon for a single-operator user. Weighing just under 2 lb, the FX6 body is a full 2 lb lighter than the FX9 and measuring 6 x 4.6", it packs a full-frame sensor into a body comparable to the S35-sensor Sony FS5. Also provides 2-channel XLR audio inputs.Offers the same 1/4 to 1/128 ND options.Has the same S-Cinetone, S-Log3, and HLG gamma choices.It matches the FX9's video capture up to DCI 4K60.Common core attributes include a full-frame sensor, filmlike color science, a compact, lightweight form, professional connector interfaces, and advanced autofocus choices.Ĭompared to the FX9, the FX6 differs in several specs but many FX6 specs tick the same boxes and several improve upon the FX9: Inside a compact body that's ready for grab-and-shoot action, the FX6 packs a highly sensitive, full-frame image sensor with the power to expand your moviemaking creativity.Īs part of Sony's Cinema Line, the FX6 shares key imaging features with established cameras like the VENICE and FX9.
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